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flareonfury: (Crossover)
[personal profile] flareonfury posting in [community profile] harpiewriting
Below is a [uncompleted] list of all the crossovers I support along with the pairings I ship for them. This list has been copied from THIS post - it will eventually differ as I add new pairings/crossovers/fandoms.

{WORK IN PROGRESS | Last Edited: feb 27, 2012}

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Dracula a Love Tail - Spoilers

Feb. 9th, 2026 12:16 am
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Posted by /u/Ok-Werewolf6183

Like many people, I came across some TikTok videos roughly six months ago about this movie. Of course, I live in the US, so I have had to wait a long time to see it. The TikTok videos made the movie seem so romantic and I was so obsessed - it was hard to wait so long to see it in theaters. But I did it! And here is what I think.

Positives:

The actors that were chosen seem to look more like normal people than the popular actors of today. That is, there wasn’t a bunch of lip filler and buccal fat removal and other body modifications. To me personally, that felt nostalgic. That may just be an indicator of my age as a millennial, but I liked that aspect. To me, this made the characters feel more accessible.

This isn’t new, but I liked that this movie seemed to “push the boundaries” of the original story. There have been a lot of Dracula adaptations. There have already been adaptations that try to make Dracula seem like a good guy just caught in a bad situation (Dracula Untold). But, to me, this movie has been the most successful so far in aligning Dracula with human characteristics. This Dracula is very human to me. He’s stubborn, he’s flawed, he’s single-minded. He struggles with overwhelming grief, loss, and betrayal. He’s numb, he’s bored, he’s sarcastic, he’s funny. He’s a little nuts. But, speaking from my own experiences with grief, I think we are all these things when we have lost something we truly loved.

And Mina isn’t just a damsel in distress. She’s pensive, thoughtful, intentional with her words. She is not the traditional female lead with no agency. She collects information and makes choices.

I will always appreciate a movie that questions what is and isn’t normal. Is Dracula unreasonable for asking that God spare his wife? Is the phrase, “God has other plans/another destiny” ever enough to console us at our lowest points, and should it be? If you or I lived to be 430 years old, would we also be desperate for a connection to the past, an end, or closure? Which is the correct version of love? Draculas obsession and devotion, or the priest’s quest for repentance and forgiveness? These are things I found myself asking.

Negatives:

I think the narrative moved too quickly. I think this movie had a lot going on, and not enough time and space to fully show it. I really had to focus to keep tying the plot threads together.

Dracula should have preyed on more men. In the moment, I interpreted Dracula biting only women at the french court as him being angry none of them were his wife. They seemed to mock him and, hopeless, he attacked. But, as the movie progressed, the traditional “Dracula, monster who attacks women” theme kept showing up, and I didn’t find it necessary. For example, I didn’t care much for the scene at the nunnery. For the character, I’d think it would be used as an insult to God - God took his wife, so he kills Gods “wives”. But, if they were going to do this, Dracula should have just gone in there and attacked them all. No need for perfume. The perfume in this scene wasn’t necessary.

Finally, I think we need to talk more at length about the perfume. Because it has been brought up as something that’s used in a sexually exploitative way and that concerned me going into this movie. Here is what I saw: the perfume is a new take on the traditional, Dracula hypnotizes people thing. It was initially introduced as a way for Dracula to draw his wife to him. Because, during the plague, most women were hidden away in churches (where Dracula could not go). So he realized there was no way for him alone to find the reincarnation of his wife. I liked this explanation. There was never any indication that Dracula used this perfume in order to get sexual favors from women. There was a joke here or there about women suddenly finding Dracula attractive with the perfume. But I took that as the extent of it.

In the scene where Mina finally fully remembers her past life, Dracula tells her he has never used the perfume around her because he didn’t need to. He was just happy he found her and patiently waiting for her to remember. He throws the perfume into the fire as a way to show her he will not use it. It’s confusing, because the men downstairs smell the perfume in their own fireplace. This leaves a question of whether the perfume was in the air when Mina fully remembers. It’s a question to ask, but I don’t think the answer is definitively a yes. Ultimately, I think the perfume plays no role in this scene. Especially because, when Mina asks Dracula to bite her, he says “but you have your whole life ahead of you” meaning he is hesitant to condemn her to a vampires life. She insists, and says “I want to be with you forever”. Dracula even cries when he bites her.

Overall, I don’t think Dracula acts like a sexual predator in this film. He’s a predator in the traditional Dracula, I drink people’s blood way, but that is it. Dracula forcing Mina to fall in love with him would ruin the entire premise of the movie, and the integrity of the character.

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Trip, part 3

Feb. 8th, 2026 02:49 pm
sakana17: luo fei from detective l (luo-fei)
[personal profile] sakana17
The final leg of [personal profile] thevetia's and my trip to China in December 2025. We took a highspeed train from Hangzhou East Railway Station (where I finally saw a Zhu Yilong ♥ billboard ad) to Shanghai Central Railway Station, a 1.5 hour trip.

Shanghai )

Logistical stuff )

2025 Otherwise Fellowship Recipients

Feb. 8th, 2026 06:42 pm
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Posted by Mike Glyer

The Otherwise Motherboard has announced the selection of two new Otherwise Fellows: illustrator and animator Aude Abou Nasr and author Ayida Shonibar. Aude Abou Nasr is a French-Lebanese illustrator, animator, and visual artist based in Beirut. She was selected for the beautiful illustrations … Continue reading
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Posted by Chris Bumbray

David Fincher’s long-anticipated Once Upon a Time in Hollywood spin-off, The Adventures of Cliff Booth, has finally revealed its first trailer — and it made its debut during the big game. Written by Quentin Tarantino and directed by Fincher, the Netflix feature centers once again on Brad Pitt’s Cliff Booth, the former stuntman-turned-Hollywood fixer, this time embroiled in what looks like a far more action-heavy adventure.

It’s fascinating how clearly it blends two distinct cinematic voices. The dialogue, needle drops, and even the trailer’s playful censorship — with F-bombs bleeped out using stylized film scratches — feel unmistakably Tarantino. Visually, though, it’s pure David Fincher, with slick digital photography and a colder, more controlled aesthetic than Once Upon a Time in Hollywood.

Brad Pitt fully leans into a grimier, more seventies-era Cliff Booth, sporting a glorious porno moustache, while Yahya Abdul-Mateen II looks like he wandered in from the set of Dolemite. The film also appears significantly more kinetic than its predecessor, featuring car chases, brutal hand-to-hand fights, and at least one eyebrow-raising moment where Booth takes someone out using an Oscar statuette — possibly one won by Rick Dalton.

The trailer is scored to a groovy cover of Henry Mancini’s Peter Gunn Theme, further reinforcing the pulpy, retro vibe. As someone who loved Cliff Booth’s previous cinematic outing, this looks like a leaner, meaner, and more action-forward chapter for the character — and yes, I want it in my eyeballs immediately.

As for when it’s coming out? That remains a mystery. A Cannes premiere has been rumored, but Netflix’s complicated relationship with the festival makes that far from a sure thing. A summer release is possible, though a Q4 rollout could make more sense if Netflix plans an awards push. For now, though, your guess is as good as mine.

What does everyone think of the new trailer? Let us know in the comments!

The post The Adventures of Cliff Booth: David Fincher’s Tarantino Spin-Off Gets a Trailer appeared first on JoBlo.

Auf die Arbeit, auf die Stadt

Feb. 9th, 2026 12:21 am
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Posted by Loewenflamme

by

In einem ruhigen Moment am Tisch der Vimes-Wache erzählt Sam Vimes von seiner Herkunft, seiner Berufung und der verzweifelten, doch unbeirrbaren Hingabe, die ihn in der Nacht bewahren ließ. Zusammen mit Sybil und Willikins erinnert er sich daran, wie Keel ihn geformt hat – nicht mit Heldentum, sondern mit der Fähigkeit, trotz Dunkelheit zu stehen, zu überleben und weiterzumachen. Ein stilles, ehrliches Gespräch über Verantwortung, Gerechtigkeit und den Preis des Überlebens in einer Stadt, die ihnen nichts schenkt.

Words: 2493, Chapters: 1/1, Language: Deutsch

Friday five

Feb. 8th, 2026 04:08 pm
rimrunner: (Default)
[personal profile] rimrunner
Poachers turned rangers, complicity in tyranny, the colors of marble, bears > Bigfoot, For All Mankind

Francis Annagu’s “How Former Poachers are Protecting Nigeria’s Vanishing Rainforest” explores the lines of tension, conflict, and resolution in taking a conservation approach to a multiuse ecosystem. Buried deep in the heart of this article is one way—probably the most effective way—to turn hunters into rangers: make the latter a more attractive option, especially in terms of pay. That hasn’t answered every challenge, as agriculture and deforestation continue to press on the forest reserve. But that problem isn’t unique to Nigeria, either. Make sure you scroll far enough to see the forest elephants.

Andrea Pitzer—always worth reading—writes in “Love that is Complicit” that whatever our opinions on immigration in the U.S. (my own is that the government has been kicking the can down the road with regard to just, humane, and consistent policy for most of my lifetime), the current situation requires either looking past an awful lot of cruelty to find acceptable, or very carefully not even knowing that there’s something to look at.

In “These Marbles were Never White,” Danai Christopoulou joins a growing number of Greek commentators on the Anglophone world’s ongoing love affair with Greek mythology, in ways that often obscure that mythology’s vibrancy and cultural context. I’m no exception here, as someone who’s called myself a Hellenic polytheist for almost 15 years, and made my own contribution to the body of stories based on Greek myths and legends. Those were my entry points into a deeper appreciation for both modern and ancient Greek culture and language, but Christopoulou’s piece highlights the cost of receiving these stories stripped of their cultural, historical, and linguistic context—which is the way that those of us in the Anglophone sphere tend to receive them. When I visited Greece in 2008, the museum she describes was still under construction. Some years later I visited the British Museum, where the Elgin marbles are still on display—complete with rather defensively worded signage. Hmm.

Jeff VanderMeer’s “Double Take” is the kind of nature writing I’d love to do. Early in his piece on Bigfoot and bears, he says:

I’m zealous about the fact that we don’t need Bigfoot populating the wilderness to find the natural world mysterious and marvelous. The bears often mistaken for cryptids, for example, already exist and capture our imagination for very good reasons.

This right here is why I became a tracker. VanderMeer goes on to discuss what he’s learned about animals from the trail cameras in his yard—contrasting this with purported Bigfoot images on trail cameras in the woods and how none of them seem to reliably be the real deal. One of his interviewees for the article says that if Bigfoot enthusiasts didn’t have Bigfoot, they’d just get into some other conspiracy theory, not into actual nature. Which I think is true, and also sad.

I recently joked that I watch most movies and TV shows months to years after everyone else has already seen them, which is why I only got to the first season of “For All Mankind” in the last few weeks. It’s out on BluRay, and if you have a player, this really is an excellent way to watch it—the gorgeous visuals are shown off to their best effect. The first season takes place beginning in 1969, and they get the tech and attitudes of the period so right, I’d forget I wasn’t watching a documentary (or maybe Apollo 13) until something obviously ahistorical happened. Unfortunately it doesn’t look like the subsequent seasons will get physical disc releases anytime soon, so I may have to pony up for Apple TV if I want more stuff like this.
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Posted by EJ Tangonan

Steven Spielberg has brought us a couple of the most iconic alien films with Close Encounters of the Third Kind and E.T. – The Extra-Terrestrial. Now the blockbuster maestro has returned to the sci-fi world with a new UFO movie that remained shrouded in secret…until recently. The new movie, Disclosure Day, hints at a day when the secrets of alien life will be revealed to the world. David Koepp wrote the film’s screenplay, based on a story by Spielberg. A few months ago, Universal dropped the first teaser for the film (see it lower in the article), but to mark the Super Bowl, they released a brand new Big Game trailer that’s packed with action and carnage, giving us more of a hint as to what Spielberg might have in store for us.

The official press release reads:

Universal Pictures is proud to release a new original event film created and directed by Steven Spielberg. The film stars SAG winner and Oscar® nominee Emily Blunt (Oppenheimer, A Quiet Place), Emmy and Golden Globe winner Josh O’Connor (Challengers, The Crown), Oscar® winner Colin Firth (The King’s Speech, Kingsman franchise), Eve Hewson (Bad Sisters, The Perfect Couple) and two-time Oscar® nominee Colman Domingo (Sing Sing, Rustin).

Based on a story by Spielberg, the screenplay is by David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park, The Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull. Combined, those films earned more than $3 billion worldwide. Koepp also wrote the script for this 2025’s Jurassic World Rebirth.

Disclosure Day is produced by five-time Academy Award® nominee Kristie Macosko Krieger (The Fabelmans, West Side Story) and by Spielberg for Amblin Entertainment. The executive producers are Adam Somner and Chris Brigham. 

Here’s the first trailer Universal unveiled for Disclosure Day:

At 93 years old, it would be understandable if John Williams elected to step away, but he is set to compose the score for the project. This will mark his 30th collaboration with Spielberg, with the first being The Sugarland Express, all the way back in 1974.

Williams previously hinted that he was considering retiring after he completed his scores for The Fabelmans and Indiana Jones and the Dial of Destiny, but he later changed his mind. “I’ll stick around for awhile,” Williams said. “I can’t retire from music. A day without music is a mistake.” He added that his decades-long collaboration with Spielberg was as good a reason as any not to retire. “One thing Steven isn’t is a man you can say no to,” he said.

Disclosure Day
Emily Blunt in DISCLOSURE DAY, directed by Steven Spielberg.
Disclosure Day
Josh O’Connor in DISCLOSURE DAY, directed by Steven Spielberg.

The post Disclosure Day: The top secret Steven Spielberg UFO film has a new Big Game Trailer appeared first on JoBlo.

In gratitude: Fobazi Ettarh

Feb. 8th, 2026 04:05 pm
rimrunner: (Default)
[personal profile] rimrunner
I haven’t worked in libraries since 2023, but I still follow that world closely enough to learn this week that Fobazi Ettarh had passed away.

Though I never met her, seeing the outpouring of support and good memories across library social media is a testament to both her influence and the library community at its best. Before and after DEI became a political target, and then a political hot potato, she was doing the hard work: addressing longstanding inequities and biases present in a profession that likes to pride itself on inclusiveness.

She’s probably best known for her article “Vocational Awe and Librarianship: The Lies We Tell Ourselves,” which appeared in the journal In the Library with the Lead Pipe (best journal title ever btw) in 2018. Librarianship isn’t the only field subject to vocational awe, of course, and friends and acquaintances who work in other such fields have always understood exactly what the term means without having to be told. But here’s Ettarh’s definition:

Vocational awe describes the set of ideas, values, and assumptions librarians have about themselves and the profession that result in notions that libraries as institutions are inherently good, sacred notions, and therefore beyond critique. I argue that the concept of vocational awe directly correlates to problems within librarianship like burnout and low salary. This article aims to describe the phenomenon and its effects on library philosophies and practices so that they may be recognized and deconstructed.

Correlative to this is that the people working in such fields are supposed to feel so lucky to be doing such important work that they won’t complain about things like low pay, mission creep, unrealistic expectations, or outright abuse.

I left librarianship in 2023. I can’t say that I’ll never return, and vocational awe was only one part of why I left. But Ettarh’s work, both that article and subsequent, helped me to understand something important about vocation, a piece that had been missing in my thinking up until then. Most of my career in librarianship was spent at an ELCA-affiliated liberal arts university, where I learned a great deal about Lutheran Protestantism beyond the fact that it existed. (I grew up Catholic.) Among other things, this idea of vocation: of finding and pursuing your life’s fulfillment.

It’s an attractive idea, one by no means limited to Lutherans. But part of vocational discernment has to be understanding vocational context. Vocational awe obscures that discernment, making it possible to walk past or tolerate all sorts of issues that ought to be confronted.

Ettarh’s work was about libraries and librarianship, specifically, but it’s applicable to so much more. As someone who’s drawn to what one might call “do-gooder” work—since retiring from librarianship I’ve focused my volunteer work on conservation, a field that literally could not exist without countless hours of volunteer labor—Ettarh’s scholarship reminds me to be intentional about what sacrifices I make and where I need to draw the line, and not only for myself.
flareonfury: (Kara/Maxwell)
[personal profile] flareonfury posting in [community profile] dc_fandom
Title: Identity Revealed
Fandoms: Supergirl (TV series)
Pairings: Kara/Maxwell
Rating: PG
Warnings/Spoilers: Alternate Universe. Pre-Season 1. Established Relationship. Gun violence.
Summary: Set in an alternate universe where pre-Season 1 Kara Danvers & Maxwell Lord had started dating. She hasn't told him about her powers yet.
Notes: Written for [community profile] 100fandoms prompt hope, [community profile] 100ships prompt coral, and DC Rarepair Week for Day 1 prompt Identity Reveal. This is for everyone that reads my Kara/Maxwell soulmate AU first words spoken (can open a heart). Also yes, I picked the guards names to honor the Arrowverse actors. ;) Otherwise they were just gonna be nameless.
[...100fandoms Table...] [...100ships Table...]

Identity Revealed..........
[personal profile] infinitum_noctem posting in [community profile] fan_flashworks
Title: You're a Star, Kelley
Fandom: Women's Soccer RPF
Pairings: Hope Solo/Kelley O'Hara
Characters: Hope Solo, Kelley O'Hara
Rating: G
Length: 120 words
Summary: Kelley doubts herself and her connection to Hope.

Read more... )

Dracula (2026) spoilers ahead

Feb. 8th, 2026 11:07 pm
[syndicated profile] draculareddit_feed

Posted by /u/GirsGirlfriend

Why can't we get a dracula movie with all the gaga in love, lusty, trance like beauty, PLUS an ending that is just them ending up together for fucking ever.

We could have them just eat all the ppl trying to break Mina from her love spell or whatever or like "no go away I choose eternity with Vlad!" And they just fuck off. They have their castle, riches, minions, and travel and just be together. For just a second I thought maybe that's how this movie will end. Like if it had ended right as she Turned on the music box, cut to him in the halls with a cheeky smile, fade to black

submitted by /u/GirsGirlfriend
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flareonfury: (Kara/Maxwell)
[personal profile] flareonfury posting in [community profile] harpiewriting
Title: Identity Revealed
Fandoms: Supergirl (TV series)
Pairings: Kara/Maxwell
Rating: PG
Warnings/Spoilers: Alternate Universe. Pre-Season 1. Established Relationship. Gun violence.
Summary: Set in an alternate universe where pre-Season 1 Kara Danvers & Maxwell Lord had started dating. She hasn't told him about her powers yet.
Notes: Written for [community profile] 100fandoms prompt hope, [community profile] 100ships prompt coral, and DC Rarepair Week for Day 1 prompt Identity Reveal. This is for everyone that reads my Kara/Maxwell soulmate AU first words spoken (can open a heart). Also yes, I picked the guards names to honor the Arrowverse actors. ;) Otherwise they were just gonna be nameless.
[...100fandoms Table...] [...100ships Table...]

Read more... )

Sewing

Feb. 8th, 2026 04:43 pm
ailelie: (Default)
[personal profile] ailelie
In late 2024, after weaving a shawl, I decided I wanted to weave something I could sew with. Only one tiny obstacle stood between me and my goal: I had zero sewing skills.

Buttons I attempted to sew back on always inevitably fell off. My mother had once, apparently, sewn her own maternity clothes when she was pregnant with me, but the pillow I'd sewn in elementary school with the stuffing poking out between every stitch was the pinnacle of my skills.

Not one to be deterred by a lack of knowledge, I decided to enroll in a class. (Alas, for me, passion and interest always fail in the face of unstructured learning and procrastination. To ensure success, I seek out classes, co-learning, and similar situations).

In late 2024, only one class in all of Chicago had an opening. Unlike other classes, this one didn't have a curriculum. Instead, the classes are capped at 6 people and the instructor helps you complete whatever project you bring, teaching you new skills as you need them. Considering I did not yet have a project, I very swiftly found a dress pattern online I didn't hate that was simple enough for a first project.

Since that first dress (which I still wear, but usually under a sweater so it looks like a very fully green skirt), I've made a button-down (...just need to finish the buttons...), a pencil skirt, two skorts (LOVE these), a failed dress that I 'rescued' into a top that is nearly indecent, a tank top, several bags, and a headband.

Sewing a precise distance around a curve still confounds me. I sewed my first zipper last night (into a welt pocket; I screwed up the first one and had to re-cut the lining piece and pocket to try again). I've learned that sewing with rayon is a pain and that basting is never to be underestimated. I now own both a sewing machine and a serger, and have used both.

When I was laid off, I stopped sewing. Partially I was frustrated because I could not get my woven tank top to fit right. Partially because doing something fun when I had jobs to apply for and a story to write filled me with icky guilt feelings, even as I reminded myself how irrational those feelings were.

As my machines gathered dust and my planned projects (a pair of sunny linen trousers!) fell off my to-do list, I started wondering if sewing was going to be like other interests and hobbies: an intense rush of interest and obsession followed by apathy.

Then, the instructor from my class in 2024 and 2025 emailed out new dates for the winter sessions starting in January. I didn't have the money, but my mother convinced me to use the money I'd saved for buying Christmas gifts (and then didn't spend because I basically skipped Christmas this year) on the class. I'm so glad I did. I finished my third or fourth session this past Saturday. 

When I went in, I bought the muslins for that tank top I never finished and explained what I'd worked through. The instructor complimented the work I'd completed so far and then helped me fix the last one. One more muslin and I finally had my pattern (note: It is a Cashmerette pattern, but several points weren't right on me).

That tank top (light yellow, covered in butterflies) is what I finished during class yesterday. This energized me to try making a bag I'd long put off. That bag was finished just before 4am this morning. I love it. The shape and size fit my body well. The pockets are generous. The outside is a cotton canvas printed with maps; the inside is scrap muslin. My computer fits easily.

I used scrap this morning to make a headband. 

This hobby fuels my needs to learn and create. Classes give me a weekly social outlet. How did I almost lose this?

I did it for Fi

Feb. 8th, 2026 02:58 pm
brightknightie: Midna, in imp form, and Link grin at each other (Zelda)
[personal profile] brightknightie
Fi is the spirit of the sword in The Legend of Zelda. The Master Sword looks like a European blade, but TLOZ is a JRPG. A fusion of J.R.R. Tolkien's novels and Shigeru Miyamoto's boyhood in rural Japan, the story gave its fantasy sword a spirit, somewhat as traditional clay-tempered Japanese blades have. Down through all the ages of the story, the sword selects its wielder. (I've deleted my digression on sword spirits in TLOZ. For now. ~grin~)

According to my Switch 2 app, I'm 475 hours into The Legend of Zelda: Breath of the Wild. I've completed every side quest, beaten every shrine, collected every memory, maximized every inventory stash, upgraded every armor/outfit, filled all but five slots in the compendium, and hung the "Champions Ballad" reward picture in Link's home.* At this point, the only things between me and the story's final chapter are the "Trial of the Sword" and completionism (finding every Korok, every chest, etc.). I'm a "story-ist," not a completionist.

The "Trial of the Sword" is a three-stage DLC that powers up the Master Sword for each stage you complete. There's microscopic story gain, really just a gantlet** of increasingly difficult monsters in increasingly challenging environments, which you must conquer all in one run per stage, or be sent all the way back to the beginning to do it all over again. No saves. I really enjoy the conceit of stripping Link of all his weapons, armor, and resources, being left to muddle through on cleverness! Eventide Island, ahoy! But I do not enjoy gantlet-style at all. I've been trying to get through just the beginner stage of the "Trial of the Sword" on and off in my hobby time for weeks. I almost gave up. There's no more story, right?

But. Story got into my head. As it does. How would Fi feel about Link skipping this challenge? All of BOTW's present-day has been about Link rebuilding himself as the legendary hero, regaining his memories, his strength, his mission -- his sword. Isn't this Fi's equivalent journey? Perhaps she even influenced the creation of this darn gantlet for him! So I kept trying. And trying. Finally, Saturday night, after dinner, the third time I've ever managed to make it all the way up to the twelfth level -- and only after checking the internet to confirm that the Hinox with greaves is indeed the last of this phase and I should therefore "leave it all on the field" -- my Link beat the beginner stage of the "Trial of the Sword." Yay!

So: that's enough. The real (fictional) Link would bring Fi all the way through the next two stages! But I am calling this for myself. Next up, perhaps next weekend, it's straight to Zelda to beat Ganon and watch the full end credits in my own game (instead of on YouTube).


* Typical playthroughs are 50-100 hours. Most players do not complete all the optional subplots and sidequests. Also, most players are more skilled than I am. ;-D

** As you know, a "gantlet" is a "lane run" ordeal or challenge, while a "gauntlet" was originally only a stout protective glove that comes up high on the arm, but, over time, the words converged, and "gauntlet" now means both "gantlet" and "gauntlet." English is fun!

The Silver Bullet

Feb. 8th, 2026 05:36 pm
marycatelli: (Golden Hair)
[personal profile] marycatelli
The Silver Bullet, and Other American Witch Stories by Hubert J. Davis

A selection of folktales gathered in the 1930s. A number of people claimed to have been the actual victims, others to know the people involved. A number are just told without a connection. Two are recognizable fairy tales.

It has sections about how to become a witch, how they worked, how to counter them, and tales of their witchery for money or mischief. Many references to witch doctors (or white witches).

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