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January 9th, 2026next

January 9th, 2026: Federal puppy depositories do not exist in real life, but if they did I bet they would be ADORABLE.

– Ryan

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Children have become central to the ultrashort drama industry, with public concerns rising about long hours and the dissonance between dramatic themes and children’s lived experiences.
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Posted by Pradershika Sharma

We may earn a commission from links on this page. Deal pricing and availability subject to change after time of publication.

The 65-inch Samsung QN90F Neo QLED TV is currently $1,199.99 on Woot in "factory-reconditioned" condition. That undercuts a new unit, which sits around $1,600 on Amazon, and even slips below what some retailers ask for “like-new” stock. This deal runs for seven days or until it sells out. Shipping is free for Prime members, while everyone else pays a flat $6 fee. One thing to note before checkout: This item doesn’t ship to Alaska, Hawaii, or PO boxes, and you’ll need to provide a valid phone number and physical shipping address.

The QN90F isn’t a midrange panel dressed up with buzzwords. It’s Samsung’s current flagship mini-LED 4K TV, built to get extremely bright (over 2,500 nits) while still holding deep blacks and tight contrast. The screen uses Samsung’s glare-reducing coating, which won’t defeat direct sunlight but does take the edge off harsh overhead lighting. In daily use, the QN90F feels more polished than most LED TVs. The bezel-free design keeps attention on the screen, and the compact metal stand doesn’t dominate your media console. Around back, you get four HDMI ports, two USB ports, Ethernet, optical audio, and an antenna input, all tucked into a side-facing recess that keeps cables tidy. The included SolarCell Remote is refreshingly practical. It charges via USB-C or ambient light, so you’re not cycling through disposable batteries. Picture quality is where this TV earns its flagship status. Mini-LED backlighting delivers OLED-like blacks with minimal bloom, and colors stay balanced rather than oversaturated. That said, there’s no Dolby Vision support, which is still a sticking point for some buyers, but HDR10 and HDR10+ performance here is strong enough that many viewers won’t miss it.

This TV also leans hard into gaming and smart features. The panel runs at 120Hz natively and supports VRR up to 165Hz, along with AMD FreeSync Premium Pro. Input lag stays under 10ms, which is well within “good for gaming” territory, according to PCMag’s “excellent” review of this smart TV. PC gamers can even use ultrawide 21:9 or 32:9 modes. Sound is better than average, too, thanks to a 60W 4.2.2-channel system with Dolby Atmos and support for Samsung’s Q-Symphony if you add a compatible soundbar. Tizen OS covers every major streaming service and supports Alexa, Apple AirPlay, and Matter smart-home control, though the interface still feels busy and occasionally buried under layers of menus. At this price, the reconditioned QN90F makes sense for buyers who want top-tier brightness and gaming performance without paying the full flagship price.


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Serendipitous Mt Fuji

Jan. 9th, 2026 10:28 pm
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[personal profile] mindstalk

Late start (not my fault I woke up at 4:30 AM), decided to go to Katase-Enoshima and explore the beach. I'm probably paying for (decent) beach access, compared to other places 90 minutes from Tokyo, might as well use it. Read more... )

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Two of the most interesting (deranged, over the top, extremely fun but also WTF) books I read last year were Henry Lien’s Peasprout Chen: Future Legend of Skate and Sword and Peasprout Chen: Battle of Champions. So when I discovered that Lien had written a book about storytelling, Spring, Summer, Asteroid, Bird: The Art of Eastern Storytelling, of course I had to read what the author of Peasprout Chen has to say about storytelling, even though I generally approach the idea of Eastern and Western storytelling styles with a healthy dose of suspicion.

To sum up this suspicion briefly, I think that people often look at a snapshot of what Eastern and Western storytellers are doing right now, and then draw conclusions about The Eternal Differences of Eastern and Western Storytelling that aren’t Eternal at all, since they would be completely blown out of the water by a wider historical view.

For instance, I’ve seen the argument that “Western stories must have conflict,” which (although there are obviously outliers) is a pretty good summation of the current Western vision of how stories work… but in the 19th and early 20th century, stories about the characters having good times with no conflict were an accepted and popular literary mode in America and England, especially in children’s books.

Given this viewpoint, it’s perhaps no surprise that I think the book is strongest when it focuses on the differences between Eastern and Western animated children’s stories (for which read “Studio Ghibli” and “Disney”). The artform has only been around for about a hundred years and it’s been dominated by a handful of main companies, so one person can meaningfully encompass most of what’s been released. And the differences are striking, as I think anyone who grew up on Disney and then saw a Ghibli film can attest. Wait, you don’t have to have a villain? You don’t even have to have conflict? The kids can just ride in the catbus?

The weakest part IMO is the chapter where Lien argues that Kazuo Ishiguro’s Never Let Me Go is telling a profoundly Eastern story, because rather than rebel against their circumstances, the characters accept their fate and try to live the best lives they can within that context. Now I’m sure this is something that happens in Eastern stories, but this is also a theme with deep roots in the history of the English novel. Admittedly a theme that is deeply out of fashion right now! One that literary critics and internet pundits complain about at length when they discuss nineteenth century English novels! And then other critics/pundits reply, “Isn’t trying to live the best life you can in limited circumstances the TRUE rebellion, though?”, because Western critics/pundits have generally accepted that Rebellion is the moral standard by which literary works should be judged and by which we should all live.

So in that sense I suppose I’ve talked myself into agreeing with Lien, at least to the extent of agreeing that Ishiguro is telling a story that is alien and upsetting to current Western literary sensibilities… but it’s alien and upsetting in a way that has Western roots just as deep as the Eastern ones. Mansfield Park makes people blow a gasket for pretty much the same reason.

Reading the book is a bit like going to a coffee shop with a friend and having a good rousing literary argument. You may have some quibbles, you may indeed have some big disagreements, but it’s a stimulating and enjoyable experience nonetheless.

However, fair warning, it will not give you any new insight into why Peasprout Chen is Like That. Peasprout will simply remain a bizarre and beautiful mystery.

Pass It On 6

Jan. 9th, 2026 07:32 pm
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Next: Darling Charming from Ever After High
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Posted by Stephen Johnson

What if a team of super magicians used their talent and training to stage elaborate heists? That’s the high concept that drives the Now You See Me franchise. Critics were lukewarm when Now You See Me was released in 2013, categorizing the film as a heist flick with thin characters and a plot that fell apart as often as it twisted, but Now You See Me pulled off its own escape act—audiences loved the movie's flashy style, whipsaw pace, and all-star cast featuring names like Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, and Morgan Freeman. The result was box office magic: a movie with a $75M budget that returned over $300M worldwide. Now You See Me has since grown into an internationally successful, long-term franchise for distributor Lionsgate: The third installment was released on Nov. 14, and a fourth Now You See Me film is already in development.

Like any long-running franchises, the Now You See Me-verse can be confusing, so we put together 10 infographics to pull back the curtain on Now You See Me's magic. First, a quick recap of each movie:

  • Now You See Me (2013): The initial entry in the series introduces us to the thieves/illusionists known as the “Four Horsemen.” These best-in-the-business magicians are recruited by a mysterious secret society called The Eye to pull off large-scale heists in front of live audiences, then distribute the money to the needy.

  • Now You See Me 2 (2016): The sequel expands the world of the first film, with bigger heists, deeper secrets, and funnier jokes. Having gone into hiding at the end of Now You See Me, The Horsemen resurface a year later and are coerced into a global heist by a tech mogul trying to steal all the privacy in the world. 

  • Now You See Me: Now You Don't (2025): Set a decade after the last film, Now You See Me: Now You Don't features all five Horsemen teaming up with three cocky young criminals/illusionists to pull off their most audacious caper yet: the theft of the world's most valuable diamond.

The real-life magicians behind The Horsemen

The Now You See Me movies present stage magic in a semi-realistic (though highly stylized) way. To nail the realism, the films draw inspiration from some of the greatest magicians in history, including:

  • David Copperfield: The Horsemen’s larger-than-life illusions/heists like stealing the contents of a bank vault while performing a Vegas show seem inspired by the feats of magician David Copperfield, whose magical feats include flying over the Grand Canyon and vanishing the Statue of Liberty. 

  • David Blaine: Street magician David Blaine’s shadow is all over the Now You See Me Movies. Without the popularity of Blaine’s modern, gritty take on magic, the Now You See Me movies would likely not exist.

  • Harry Houdini: Anything about stage magic is ultimately inspired by Houdini, the greatest magician of all time. Houdini's daring escape tricks inspired the series’ inciting incident, the death of magician Lionel Shrike, as well as the opening set piece where Henley Reeves escapes a water tank. 

  • Andrei Jikh: Jikh’s cardistry skills are evident in all the Horsemen, particularly in Jack Wilder. Jikh served as a consultant on Now You See Me.

  • Keith Barry: Another Now You See Me magic consultant, Irish mentalist Keith Barry pioneered and popularized many of the hypnosis and mentalism feats used by character Merritt McKinney.

The Horsemen's greatest heists

The Horsemen are known as much for their larceny as their skills at illusion. Below are their most memorable heists, hold-ups, schemes, and burglaries.

The Paris-to-Vegas bank robbery

In the caper that introduces us to the Horsemen, the magicians rob a bank in Paris while performing before a crowd in Vegas. They choose a seemingly random person from the crowd and tell him he’s going to rob his own bank, the Crédit Républicain de Paris. Then they appear to teleport him to France, where he breaks into a bank vault, hits a button on a vacuum machine, and the money is seemingly sucked from Paris to Vegas where it rains down on the audience. 

The Tressler Insurance heist

At a show in New Orleans, the Horsemen introduce their benefactor, insurance magnate Arthur Tressler, then proceed to drain his personal bank account while they’re onstage, depositing the money in the accounts of audience members, who all turn out to be victims of Hurricane Katrina that Tressler’s insurance company stiffed on repayments. 

The Macau data chip theft

In Now You See Me 2, The Horsemen are coerced by evil tech magnate Walter Mabry to steal a cutting-edge computer chip that can decrypt and expose every system in the world. Housed in a highly secure research facility in Macau, China, the chip is conveniently the size of a playing card, allowing the Horsemen to use cardistry and sleight-of-hand skills to remove it from the building while being searched by guards. 

The Magic Castle: the real-life Château de Roussillon

In Now You See Me Now You Don't, the Château de Roussillon is an ultimate magician's playground. The Eye's headquarters in a mansion in the French countryside is decked out with mind-bending large-scale illusions like rotating rooms and halls of mirrors. The Château de Roussillon is a real castle, but the filmmakers used Nádasdy Castle for the exterior shots in the movie. A main inspiration for the building is a real place: Los Angeles' Magic Castle.

Opened in 1963, the Magic Castle is a restaurant/club/clubhouse for magicians housed in a stately Victorian mansion overlooking Hollywood. Not only is The Magic Castle credited as magic consultants on Now You See Me: Now You Don't, much of the cast trained at the Castle to prepare for their roles.

If you'd like to visit, it won't be easy: The Magic Castle is an invitation-only private club, so you have to be a member of the Academy of Magical Arts or be invited by a member. But if you aren't friends with a magician, you can book a night at the nearby Magic Castle Hotel, where a stay comes with an invitation to the Castle.

“How do they do that?”

I analyzed the tricks in the movies with professional magician Dave Cox, and as over the top as the Horsemen's heists are, all but two of the many magic tricks presented in the Now You See Me movies could technically be done in real life—but the word “technically” is doing a lot of work here. The tricks are possible within the context of a stylized blockbuster, but would be extremely unlikely to work as well in real life: an extended, impromptu cardistry routine involving four magicians passing a playing card between themselves while security guards thoroughly search them makes for exciting cinema, but almost definitely wouldn’t go that smoothly in reality. 

But, here is how three of the most iconic tricks from the franchise could be done in real life.

How to do Atlas’s “riffle force” card trick

Now You See Me opens with a unique piece of cinematic trickery. Street magician J. Daniel Atlas is performing for a crowd on a city street. He riffles quickly through a deck of cards and asks a spectator to “see one card.” When his subject has a card in mind, a nearby building is lit up revealing a giant seven of diamonds, the card the subject was thinking of.  

It’s amazing if you’re “playing along at home,” because the chances are very good that you chose the seven of diamonds too. The trick is done in real life the same way it’s done in the movies: The magician uses sleight of hand or a gimmicked deck to pause on the desired card imperceptibly longer than the other cards. The director of Now You See Me added a frame or two to “pause” on the seven of diamonds, making it more likely that you think of that card.

How Jack Wilder throws cards as weapons

While it’s probably not possible to throw a card as accurately or forcefully as the characters in Now You See Me, you can throw playing cards really fast with the right technique and a lot of practice. 

How Henley Reeves escaped the water tank

Henley Reeves’ introduction is a trick where she escapes from a water tank filled with piranhas, a variation of the kind of classic escape artist illusions popularized by Houdini. Water escapes are dangerous, but not as dangerous as they might seem because they’re rigged—no sane person is really going to try to escape from handcuffs and chains while underwater.

Real-life heists that seem right out of the Now You See Me movies

A group of thieves publicly “performing” large-scale robberies is strictly Hollywood, but the three real-life crimes below share some of the showmanship and audacity of the Horsemen’s heists:

  • Louvre heist (2025): A recent jewelry-jacking at the Louvre involved a highly professional and brazen plan executed in broad daylight. The thieves used a truck-mounted mechanical lift to break into a second-floor balcony window and were in and out in less than eight minutes. The robbers have all been caught, but won't say where the jewels are.

  • Stockholm helicopter robbery (2009): This thrilling heist involved a gang using a stolen police helicopter to land on the roof of a G4S cash management service building in the Stockholm suburb of Västberga. The brazen thieves smashed through a skylight, lowered themselves into the building, and stole millions while police were stymied by fake bombs placed near the police helicopter. Seven men were sentenced to prison, but authorities suspect as many as ten more people may have gotten away with the crime, and the 39 million Swedish krona loot was never recovered.

  • Isabella Stewart Gardner Museum heist (1990): This heist involved two men who disguised themselves as Boston police officers to gain entry into the museum just before it opened. The pair convinced one security guard to let them in, then handcuffed the rest of the guards and stole 13 priceless works of art valued at over $500 million. Despite a $10 million dollar reward, the art has never been recovered and no one has been charged with the crime.

Seven more movies for fans of Now You See Me

If you’ve watched all three NYSM movies and you’re still craving magical entertainment, check out these seven, all-killer no-filler movies about magic and magicians:

  • The Prestige (2006): The Prestige is set in the late 19th century, before you could just google how any magic trick was done. Back then, the secret of sawing a lady in half was closely guarded, and The Prestige’s rival magicians–played by Hugh Jackman and Christian Bale–will go to any length to keep the hidden knowledge of their craft.

  • The Illusionist (2010): This animated, silent feature provides a complete contrast to the Now You See Me movies. There’s no glitz or flash, just a quietly devastating character study of a magician’s relationship with the last person in his world who still believes in magic. Adapted from a screenplay by French cinema legend Jacques Tati, The Illusionist tells its intimate story through the evocative animation of Sylvain Chomet. It will definitely make you cry.

  • The Incredible Burt Wonderstone (2013): The Now You See Me movies go to great lengths to deny it, but magic is cheesy and magicians are weirdoes. Burt Wonderstone leans into the goofiness by casting Steve Carell and Steve Buscemi as Burt Wonderstone and Anton Marvelson, past-their-prime Vegas magicians bedeviled by Jim Carrey's Steve Gray, a Criss Angel-esque magic man who’s a different flavor of cheesy.

  • The Magician (1958): Max von Sydow plays the title character in The Magician, where everything is shot in black-and-white and no one gets away with a bunch of money or engages in any witty banter.

  • The Illusionist (2006): Yes, I’m recommending two movies with the same title. 2006’s The Illusionist is a moody, slow-burn mystery/romance that’s tonally a world away from Now You See Me’s glitz, but both films share a love of clever misdirection, intricate magic, “woah” reveals, and head-spinning plot twists. If you like the “magic as a means of social justice” theme of NYSM, you’ll like The Illusionist.

  • The Sorcerer’s Apprentice (2010): The Sorcerer’s Apprentice stars Nicolas Cage, who brings his own magic to every role, as a bonafide sorcerer who lives in modern New York City and fights a lonely war against dark magic on behalf of all mankind. Jay Baruchel plays his apprentice, and the pair use magical spells to battle a rival sorcerer.

  • Sleight (2016): This scrappy, low-budget flick provides a very different vision of an illusionist turning to crime. Jacob Latimore plays a young street magician who’s left to care for his sister after their parents die. Magic isn’t paying the bills, so he turns to drug dealing, and must use his skills at deception and sleight-of-hand to stay alive. 

[syndicated profile] the_mary_sue_feed

Posted by Ljeonida Mulabazi

woman shares movers hidden fees and tips (l) movers at work (r)

Moving is one of those life events that is going to be exhausting no matter what. You’re packing boxes, coordinating schedules, juggling deposits, and trying to keep costs from spiraling while everything feels time-sensitive.

That’s why many people lean on moving companies to take at least part of the stress off their plate. But as one Phoenix woman found out, trusting a quote over the phone can come back to haunt you if you don’t slow down and read every line of the contract.

[syndicated profile] moviessubreddit_feed

Posted by /u/BabaYaga72528

Lately I found myself Googling “where can I watch X” more than actually watching stuff.

I’m building a small tool to solve that + help with discovery (movies & TV).

Before pushing it further, I’m curious:

  • How do you usually decide what to watch?
  • What’s the most annoying part of streaming right now?

(If anyone wants to try what I’m working on, happy to share — mostly here for discussion.)

submitted by /u/BabaYaga72528
[link] [comments]

In which you should check your tech

Jan. 9th, 2026 12:52 pm
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[personal profile] spiralsheep
- If you use gmail or other google services then I strongly suggest checking your location is set to EU if possible (or other not-US if possible) and that you check to ensure "smart features" are switched OFF and remain OFF as google continues to roll out their AI, or switch to Proton (Switzerland) / Mailbox (Germany) / [your local equivalent] if you can afford them. Also, don't use Chrome as your browser, obv. And, of course, nobody with a choice ever used Microsoft. Switching away from US-based tech services generally, and especially services intentionally infected with AI spying and slop, has always been advisable where possible.

- If you are outside the US please set your default weather app to your local weather service that doesn't use US data, so the Met Office in the UK. One of the easiest ways to use disinformation to control people's actions or inactions in large groups is via weather forecasts. Yes, I'm serious.

- If there is anywhere you might need to go in an emergency situation that isn't on your regular routes then I suggest acquiring a paper map or directions you can read, and putting them in your regular travel bag (or car) etc. I would also suggest knowing alternative routes for your most important journeys. GPS is a service that the US and many local enforcement institutions can turn off at any time.

- I was in South London before the pandemic when, without any prior warning, the police decided to switch off all non-wired phone and digital services covering a busy shopping and high population area during the day when most people would normally be out of their homes. They don't do these tests in posh areas so many people are unaware of these possibilities.

- Sorry but we are where we are.
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[personal profile] spikedluv posting in [community profile] bigbangindex
[community profile] smallfandombang, the big bang for small fandoms, is open for Artist sign-ups for Round Fifteen!

We currently have 33 stories in 36 fandoms (this includes crossover fandoms), so check out the Preliminary List of Fandoms and then head on over to the Artist Sign-Up Post to sign up!

The Sneak Peek post goes up on (or before) Thursday, February 5 and Artist Claims open on Saturday, February 7.



A 10,000-word big bang for small fandoms!


Please don’t be worried if you aren’t familiar with many of the fandoms listed; since the challenge is both multi-fandom and small fandom, we expect that you might not be. For that reason we have given artists 6 weeks to complete their fanart, and are charging authors with assisting their artists with character descriptions, screencaps, etc. Also, the types of fanart we accept is pretty broad and not limited merely to cover art and icons.

So, if you like to create fanart, including graphics, fanmixes and podfic, please check us out!
spikedluv: (mod: sfbb by maerhys)
[personal profile] spikedluv posting in [community profile] smallfandom_nb
[community profile] smallfandombang, the big bang for small fandoms, is open for Artist sign-ups for Round Fifteen!

We currently have 33 stories in 36 fandoms (this includes crossover fandoms), so check out the Preliminary List of Fandoms and then head on over to the Artist Sign-Up Post to sign up!

The Sneak Peek post goes up on (or before) Thursday, February 5 and Artist Claims open on Saturday, February 7.



A 10,000-word big bang for small fandoms!


Please don’t be worried if you aren’t familiar with many of the fandoms listed; since the challenge is both multi-fandom and small fandom, we expect that you might not be. For that reason we have given artists 6 weeks to complete their fanart, and are charging authors with assisting their artists with character descriptions, screencaps, etc. Also, the types of fanart we accept is pretty broad and not limited merely to cover art and icons.

So, if you like to create fanart, including graphics, fanmixes and podfic, please check us out!

A Little Venting

Jan. 9th, 2026 07:36 am
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[personal profile] fabrisse
I'm looking after Nora ~ 15 hours a day.

Sis, has night duty.

Nora had soaked through her heavy duty pee pads and managed to poop in her crate without Sis doing anything about it. Apparently, the bedding -- which was wet to the touch and reeked -- "looked dry."

I love Sis. She's working hard and paying most of the bills. But I offered to take Nora's crate in my room or switch bedrooms with her, and Sis said no.

Anyway, baby dog has had her morning pills. I've gotten the house ready for the cleaning ladies (I strip the beds; they make them and then they clean all surfaces. Bless them.)

ETA: I took Nora out of the crate to change her bedding. She was on a small lined doggy bed. I walked to my bathroom to dispose of things and found that she'd managed to drag herself to the front door (at least 8 feet) in that very brief time.

She's a determinator.
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[personal profile] spikedluv
I did not go downtown today, so this was really a no-shopping day!

I visited mom, did a load of laundry, hand-washed dishes, ran a load in the dishwasher, went for a couple walks with Pip and the dogs, cut up chicken for the dogs' meals, and scooped kitty litter. I put a roast in the crock pot for supper. (Not my usual chuck roast; I decided to try something different.)

I went with the Ginger Peach tea again this morning. for reasons that you might not want to read )

I wrote more! ~1,200 words and I’ve managed to finish the first draft of the fic at ~5,600 words! Now to type it in. o_O I read more in Amelia Peabody and watched the first Jack Reacher movie. (I’ve seen it, or most of it in parts, before, but having read the first three books, I wanted to re-watch it to see what I thought about it in comparison. I can see Tom Cruise as a pilot, I can even see him as a spy, but I cannot see him as Jack Reacher. And not just because of his height. Jack Reacher is hugely muscled. He was shot in the chest and didn’t die because his pectoral muscle was so thick it acted like kevlar. I cannot see Tom Cruise as this character.)

Temps started out at 36.0(F) and reached 43.5. It was not supposed to get this warm, but it has so I won’t complain. We even had some sun!


Mom Update:

Mom was doing okay when I saw her. I was able to help her get last year’s bills out of the filing cabinet so she could start filing this year’s bills and I did up the few dishes in the sink. We talked more about the hospice visit and she told me that hospice would be completely covered and that the rep (I should probably start calling her the nurse?) will start visiting mom once a week just to check-up on her and take vitals, etc.

Mom often talks about a woman she knows who lived 3-years past when her family called hospice, so she’s not giving up. I know she wants to see Ireland graduate, and if she could just hang on that long I think she’d be happy.

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