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Jun. 26th, 2025 06:19 pm
olivermoss: (Default)
[personal profile] olivermoss
Fuck, this June I haven't even seen Pride discourse. Not that I miss it, but... the usual focus from content creators I follow, the pride fan art and fics, the events, just.... file non found. Also, fuck Target so I haven't done my usual shopping of their pride collection. Haven't seen pride collections elsewhere, really. I haven't seen chalkings or yarn bombings. No sudden rainbow flags up in corporate owned stores or the cognitive dissonance of 'don't assume our employees pronouns!' signs in stores where those employees are aggressively mis-gendering me because friendly-style customer service tends to be very gendered. Not to mention the queer art and craft events where creators try to get my attention by going 'ma'am, ma'am, ma'am' and then get louder when I don't respond.

June's fucking annoying, but this quiet isn't good.
rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] books
The day after finishing The Traitor Baru Cormorant I had to rush over to the library to pick up book 2, The Monster Baru Cormorant, which I finished earlier today.

Spoilers for The Traitor Baru Cormorant below!
 
The second book of a fantasy series of any kind often bears a very difficult burden. It is most often the place where the scope of the story grows significantly. A conflict which before was local to the protagonist's home and surrounding area may expand, often to the extent of the known world. New players are often added to the cast, bigger and scarier problems and challenges arise. The protagonist may have gone up in the world, wielding new power and influence, with new responsibilities. As a result, this is where many series lose their footing; a tightly-woven book or season 1 may give way to a muddled, watered down part 2 as the writers struggle to juggle this expanded focus. 
 
The Monster suffers from none of those things. It is the place where Baru's story expands—in The Traitor, her focus was almost entirely on Aurdwynn; it was the full field of play and outside players mattered only as they influenced events on Aurdwynn. In The Monster, Baru has become a true agent of the Imperial Throne of Falcrest, and with these new powers, the entire field of the empire is opened up for her play, and it is fascinating to watch. 
 
In The Traitor, Baru was narrowly focused on managing the situation in Aurdwynn; everything she did was to that end. In The Monster, Baru can do whatever she wants, and we get to see her finally on the open field. Even where she flounders and flails, it's delightful to watch the machinations of her mind constantly at work.  Her cleverness rows against her bursts of sentimentality to produce some impressively chaotic effects, but she is as slippery as an eel to pin down, even when her rivals think they've gotten the best of her.

Read more... ) 
 

conuly: (Default)
[personal profile] conuly
And don't even ask me about my email!

Also: Comicsrss got a cease and desist from Gocomics, so now all my gocomics feeds are borked. I should see if I can find those comics hosted somewhere else and get their RSS feeds, but ugh.

Also also: What to know about the COVID variant that may cause ‘razor blade’ sore throats

**********************


Read more... )

Safe Mind - 6' Pole

Jun. 26th, 2025 07:17 pm
darkoshi: (Default)
[personal profile] darkoshi


Video title: Safe Mind - 6' Pole (Official Video)
Posted by: Boy Harsher / Nude Club
Date posted: Oct 1, 2024


Bandcamp song page (with lyrics)

The lyrics are vague enough that I can't figure them out, other than they seem sexual in nature.

Maybe this YouTube comment explains it:
[profile] sogonrei
This song is addictive a unique sound digging this and it is hilarious how it is doing the most flirtatious negging I have ever seen! 😂 🤩💕


It reminds me of Nirvana sort of.

第四年第一百六十八天

Jun. 26th, 2025 07:03 pm
nnozomi: (Default)
[personal profile] nnozomi posting in [community profile] guardian_learning
部首
力 part 5
劳, labor; 势, power/influence; 勇, brave pinyin )
https://www.mdbg.net/chinese/dictionary?cdqrad=19

词汇
图, drawing/plan; 图画, drawing (pinyin in tags)
https://mandarinbean.com/new-hsk-3-word-list/

Guardian:
佩服你的勇气, I admire your bravery
你图什么, what are you planning?

Me:
我已经发现了体力劳动不适合自己。
就算她还小,她图画也画得很好。

The Friday Five for 27 June 2025

Jun. 26th, 2025 06:25 pm
anais_pf: (Default)
[personal profile] anais_pf posting in [community profile] thefridayfive
This week's questions were suggested by [livejournal.com profile] bindyree

1. Who was your favorite teacher?

2. Why was that teacher so special?

3. Do you think teachers get paid enough?

4. Do you have a favorite year of school?

5. If you could travel back in time and tell yourself something now that would have helped you get through school, what would you say?

Copy and paste to your own journal, then reply to this post with a link to your answers. If your journal is private or friends-only, you can post your full answers in the comments below.

If you'd like to suggest questions for a future Friday Five, then do so on DreamWidth or LiveJournal. Old sets that were used have been deleted, so we encourage you to suggest some more!
elrhiarhodan: (Qui/Obi)
[personal profile] elrhiarhodan
Title: From All The Spaces Between Times
Chapter: Chapter 50 - Let Us Remember the Things We Hold On To
Author: [personal profile] elrhiarhodan / [tumblr.com profile] elrhiarhodan / [archiveofourown.org profile] elrhiarhodan
Fandom: Star Wars, Star Wars Prequel Trilogy, Star Wars — Obi Wan Kenobi (TV), Star Wars — Jedi Apprentice Books
Characters Obi-Wan Kenobi, Qui-Gon Jinn, Shmi Skywalker, Anakin Skywalker, Watto, Quinlan Vos, Padmé Amidala, Sabé, Darth Maul, Yoda, Mace Windu, Adi Gallia, Quinlan Vos, Professor Huyang, The Force, Plo Koon, Vokara Che, Siri Tachi, Aayla Secura, Bant Eerin, Bruck Chun, Xanatos du Crion, Sheev Palpatine | Darth Sidious, Hego Damask II | Darth Plagueis, Komari Vosa, Bail Prestor Organa, Bail Antilles Prestor, Rael Averross, Nim Piana, Original Characters, Other Characters To Be Added
Pairings: Obi-Wan Kenobi & Shmi Skywalker, Obi-Wan Kenobi & Qui-Gon Jinn, Padmé Amidala/Anakin Skywalker, eventual Obi-Wan/Qui-Gon Jinn (we’re arrived)
Word Count: ~ 5000 this chapter
Spoilers: None
Warnings/Enticements/Triggers: Graphic depictions of extreme sexual encounters between original characters. Angry Obi-Wan to the rescue.

Summary: Obi-Wan Kenobi has never known it, but he has always been the Force’s Champion, destined to suffer infinite sadness in defense of the Light. On his last turn on the wheel, responsibility for The Chosen One, the false child of prophecy, had been thrust upon him with no warning, and Darkness held the upper hand.

But this time, the Force has marshaled its power and will protect its Champion until the time is right, no matter how long Obi-Wan has to wait and how much he has to suffer.

Or,

Obi-Wan is reborn as a twelve-year old.

He wakes up on a slavers’ ship, with all of his prior life’s memories intact, and he’s bound for Tatooine with a Force-inhibitor collar around his neck, a bomb implanted in his spine, and no way of knowing what state of the Galaxy is in.

Just another day in the life of the Force’s Champion.

Chapter Summary: Obi-Wan goes to visit Bruck, who drops a bombshell on him.

And half a galaxy away, Dooku gets a comm message from someone he doesn’t expect.



From All The Spaces Between Times —Chapter 50 - Let Us Remember the Things We Hold On To (On AO3)


Meta — Chapter 50 - Let Us Remember the Things We Hold On To )
conuly: (Default)
[personal profile] conuly
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.


**********


Link
schneefink: Hotguy and Cuteguy thumbsup (Hermitcraft Hotguy and Cuteguy)
[personal profile] schneefink
I've barely scratched the surface of the massive MCYT AUfest Battleship works bounty, but I'll be leaving for a week-long vacation with my gf at my grandparents' tomorrow so here's part 1 of recs. 11x fic, 1x webweave, 3x comics/art; a wild mix of AUs and genres and pairings, mostly for Hermitcraft, some Life Series, DSMP, QSMP.

11x fic, 1x webweave, 3x art )
conuly: (Default)
[personal profile] conuly
He's the patron saint of gardeners, and also taxi drivers (unofficially). See, an early and popular cab stand was at Hôtel de Saint Fiacre in Paris, and the carriages themselves began to be called fiacres, and it just spiraled from there.

What makes this even stranger is that he's an Irish saint.

*********************


Read more... )

Enamorado

Jun. 26th, 2025 03:29 am

Superhero movie music

Jun. 26th, 2025 03:52 pm
neonvincent: For posts about geekery and general fandom (Shadow Play Girl)
[personal profile] neonvincent

Check-In Post - June 26th 2025

Jun. 26th, 2025 08:22 pm
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[personal profile] badly_knitted posting in [community profile] get_knitted

Hello to all members, passers-by, curious onlookers, and shy lurkers, and welcome to our regular daily check-in post. Just leave a comment below to let us know how your current projects are progressing, or even if they're not.
 
Checking in is NOT compulsory, check in as often or as seldom as you want, this community isn't about pressure it's about encouragement, motivation, and support. Crafting is meant to be fun, and what's more fun than sharing achievements and seeing the wonderful things everyone else is creating?
 
There may also occasionally be questions, but again you don't have to answer them, they're just a way of getting to know each other a bit better.
 
 
This Week's Question: We all probably have multiple WiPs, but which of yours has been hanging around longest, waiting to be finished?
 
 
If anyone has any questions of their own about the community, or suggestions for tags, questions to be asked on the check-in posts, or if anyone is interested in playing check-in host for a week here on the community, which would entail putting up the daily check-in posts and responding to comments, go to the Questions & Suggestions post and leave a comment.
 
I now declare this Check-In OPEN!
 
 
 
[syndicated profile] languagelog_feed

Posted by Victor Mair

But can they still tell us something useful about language?  Here are two new papers that address that question:

I.

"What the Hidden Rhythms of Orangutan Calls Can Tell Us about Language – New Research." De Gregorio, Chiara. The Conversation, May 27, 2025.

In the dense forests of Indonesia, you can hear strange and haunting sounds. At first, these calls may seem like a random collection of noises – but my rhythmic analyses reveal a different story.

Those noises are the calls of Sumatran orangutans (Pongo abelii), used to warn others about the presence of predators. Orangutans belong to our animal family – we’re both great apes. That means we share a common ancestor – a species that lived millions of years ago, from which we both evolved.

Like us, orangutans have hands that can grasp, they use tools and can learn new things. We share about 97% of our DNA with orangutans, which means many parts of our bodies and brains work in similar ways.

That’s why studying orangutans can also help us understand more about how humans evolved, especially when it comes to things like communication, intelligence and the roots of language and rhythm.

Research on orangutan communication conducted by evolutionary psychologist Adriano Lameira and colleagues in 2024 focused on a different species of orangutan, the wild Bornean orangutan (Pongo pygmaeus wurmbii). They looked at a type of vocalisation made only by males, known as the long call, and found that long calls are organised into two levels of rhythmic hierarchy.

This was a groundbreaking discovery, showing that orangutan rhythms are structured in a recursive way. Human language is deeply recursive.

Recursion is when something is built from smaller parts that follow the same pattern. For example, in language, a sentence can contain another sentence inside it. In music, a rhythm can be made of smaller rhythms nested within each other. It’s a way of organising information in layers, where the same structure repeats at different levels.

Has wonderful videos.  The orangutans sound like they're saying something.  Listen.

Discussing "Third-Order Self-Embedded Vocal Motifs in Wild Orangutans, and the Selective Evolution of Recursion." De Gregorio, Chiara et al. Annals of the New York Academy of Sciences (May 16, 2.

Abstract

Recursion, the neuro-computational operation of nesting a signal or pattern within itself, lies at the structural basis of language. Classically considered absent in the vocal repertoires of nonhuman animals, whether recursion evolved step-by-step or saltationally in humans is among the most fervent debates in cognitive science since Chomsky's seminal work on syntax in the 1950s. The recent discovery of self-embedded vocal motifs in wild (nonhuman) great apes—Bornean male orangutans’ long calls—lends initial but important support to the notion that recursion, or at least temporal recursion, is not uniquely human among hominids and that its evolution was based on shared ancestry. Building on these findings, we test four necessary predictions for a gradual evolutionary scenario in wild Sumatran female orangutans’ alarm calls, the longest known combinations of consonant-like and vowel-like calls among great apes (excepting humans). From the data, we propose third-order self-embedded isochrony: three hierarchical levels of nested isochronous combinatoric units, with each level exhibiting unique variation dynamics and information content relative to context. Our findings confirm that recursive operations underpin great ape call combinatorics, operations that likely evolved gradually in the human lineage as vocal sequences became longer and more intricate.

II.

"Animals Can't Talk like Humans Do – Here's Why the Hunt for Their Languages Has Left Us Empty-Handed." Jon-And, Anna et al. The Conversation, June 9, 2025.

Why do humans have language and other animals apparently don’t? It’s one of the most enduring questions in the study of mind and communication. Across all cultures, humans use richly expressive languages built on complex structures, which let us talk about the past, the future, imaginary worlds, moral dilemmas and mathematical truths. No other species does this.

Yet we are fascinated by the idea that animals might be more similar to us than it seems. We delight in the possibility that dolphins tell stories or that apes can ponder the future. We are social and thinking creatures, and we love to see our reflection in others. That deep desire may have influenced the study of animal cognition.

Over the past two decades, studies of thinking and language in animals, especially those highlighting similarities with human abilities, have flourished in academia and attracted extensive media coverage. A wave of recent studies reflects a growing momentum.

Two recent papers, both in top-tier journals, focus on our closest relatives: chimpanzees and bonobos. They claim these apes combine vocalisations in ways that suggest a capacity for compositionality, a key feature of human language.

In simple terms, compositionality is the capacity to combine words and phrases into complex expressions, where the overall meaning derives from the meanings of the parts and their order. It is what allows a finite set of words to generate an infinite range of meanings. The idea that great apes might do something similar has been presented as a potential breakthrough, hinting that the roots of language may lie deeper in our evolutionary past than we thought.

But there is a catch: combining elements is not enough. A fundamental aspect of compositionality in human language is that it is productive. We do not just reuse a fixed set of combinations; we generate new ones, effortlessly. A child who learns the word “wug” can instantly say “wugs” without having heard it before, applying rules to unfamiliar elements.

That flexible creativity gives language its vast expressive power. Yet while animal calls can be combined, nobody has observed animals doing this to create new meanings in an open-ended productive manner. They don’t scale into the layered meanings that human language achieves. In short: there are no wugs in the wild.

Significant progress in the conceptualization of what is humanlike about animal calls:  recursion, compositionality.

 

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